…there are no separate receptors on our retinas sensitive to yellow light, so the receptors sensitive to green and red light combine giving us the sensation of yellow
Let's [[#|know what you]] think...[serge]
on to
Spartial_illusion
incoming...what would happen if you removed the coloured [[#|hand]]...would it still [[#|set up]] as a [[#|hand]]? t's like you don't need [[#|the last one]]...but we can [[#|talk]] about it in [[#|class]]... EXCELLENT WORK...THE BLACK ADDED ON THIS IMAGE WOULD BE INTERESTING
MUCH BETTER
Personality_squares
r
emoving the [[#|black]] outline...
Painted_self_portrait
there is sadness in this image...now try putting this...? Now try putting this on top of the above squares...and [[#|play]] with the opacity...
I'm enjoying seeing your [[#|work]]...can you post some of your [[#|work]] that you have done before this unit...what you think best represents your interest in design/art...?
YOU SHOULD OPEN A SHOP! VERY STRONG
VERY COOL INDEED!!!
Theater [[#|Graphic Design]] Essay Victorian
The name is derived from the time-period which Queen [[#|Victoria]] reigned over England between June, 1837 and [[#|January]], 1901. Initially, the Victorian art period began with The Classicism period then produced what is thought to be due the England’s great conquests and prosperity at the time, brought about a boast of lively colours and emotional strokes replacing the realistic detail. Following Classicism was Neoclassicism, Impressionism and Post-Impressionism all reigned under the Victorian Art’s period.
[[#|Arts and Craft]] Movement The [[#|arts and craft]] movement evolved during the final stages of the Victorian period [[#|within]] England, it was due to the previous mentioned prosperity of England who at the [[#|time was]] the most industrialized [[#|country]] in the [[#|world]]. Populist apprehension about industrial life ignited a cocksure revaluation of [[#|hand]] craftsmanship and pre-capitalist forms of culture and society through [[#|Arts and Crafts]]. [[#|Arts and Crafts]] designers sought to [[#|improve]] standards of decorative design, calling for an end to the division of labour and advance the [[#|designer]] as a craftsman.
Alphonse Mucha (1860-1939)
Depiction of Actress Maude Adams as Joan of Arc,1909 http://www.metmuseum.org/toah/works-of-art/20.33
Vienna Secession
The Vienna Secession, also known as The Union of Austrian Artists was formed in 1897 by a group of Austrian artists who resigned from the Association of Austrian Artists. There was no singular art style rather a collaboration of works from artists part of the Vienna Secession with their building being debatably the most iconic piece of the movement with its phrase “To every age its art. To art its freedom” The Vienna Secession wanted nothing more than to break the once strict confines of [[#|academic]] tradition arts. Arsene Herbinier (1869-1955)
Salon des Cent, 1899 http://www.kettererkunst.com/details-e.php?obnr=112000383&anummer=22 Cubist
An early 20th century avant-garde art movement credited to be pioneered by Georges Braque and Pablo Picasso, revolutionized European [[#|painting]] and sculpture and is considered the most influential art movement of [[#|the 20th century]]. It was also the means of inspiration for other arts such as [[#|music]], literature and architecture. In Cubist artwork, objects are analyzed, broken up and reassembled in an abstracted form abandoning prospective. Albert Gleizes (1881-1953) Man on Balcony, 1912 http://xroads.virginia.edu/~museum/armory/galleryi/gleizes.196.html Futurist
Beginning in 1909, but not becoming distinctive till 1911 emerging as a product of Cubist was Futurist. The most important Italian avant-garde art movement of [[#|the 20th century]], Futurism sort to celebrate advanced [[#|technology]] and urban modernity. Futurists were fascinated by the problems of representing modern experience and strived to evoke all kinds of sensations not just visible but to bringing forth the pieces noise, heat and the smell of the city. Natalian Goncharova (1881-1962)
The Cyclist, 1913 http://web.grinnell.edu/courses/tut/F01/TUT100-04/goncharova2.htm
Surrealist
Surrealism originated in the late 1910’s as a literary movement that experimented with a new mode of expression called automatic writing or automatism, which sought to release the unbridled imagination of the subconscious. The cerebral and irrational tenets of Surrealism find their ancestry in the clever and whimsical disregard for tradition fostered by Dadaism not a decade earlier. Max Ernst (1891-1976)
The Elephant Celebes, 1921 http://www.fantasyarts.net/ernstele.html
Dadaist
Dada was not art but anti-art, predominantly a European artistic and literary movement from 1916 to 1923 born of the horrors of World War 1 that flouted conventional aesthetic and cultural values by producing works marked by nonsense, travesty, and incongruity. Artists concentrated their anti-war politics with the rejection of prevailing standards in art through anti-art cultural works. Additionally Dadaism was anti-bourgeois and had political affinities with the radical left wing political stances. Marcel Duchamp (1887-1968)
The Fountain, 1917 http://en.wikipedia.org/wiki/Marcel_Duchamp
Poster Style [Plakastil]
An early style of [[#|poster]] art that began in the 1900’s and originated out of Germany, credited to be started by Berliner Lucian Bernhard. The trending traits of the style are bold, straight font with flat colour with simplified shades complementing the more detailed main poster subject material. Rejecting curvilinear ornamentations like that in Art Nouveau and instead geometric structure based on functionalism. Hans Rudi Erdi (1883-1925)
Mahala Problem Cigarettes http://pinterest.com/pin/229402174739580081/
Art Deco
Also referred to as ‘style modern’ this art movement originated in the 1920’s and developed into a major style in Western Europe and the United States during the 1930’s. The distinguishing features of the style are simple, clean shapes, often with a very “streamline” look valuing functionality. Although rarely masses produced the characteristics and features of the style reflect admiration for the modernity of the machines and for the inherent design quality of machine made objects such as relative simplicity, planarity, symmetry and unvaried repetition of elements. Tamara de Lempicka (1898-1980)Musician,1929http://en.wikipedia.org/wiki/Tamara_de_Lempicka Russian Supremacist and Constructivism
Constructivism focused on basic geometric forms that were painted in a limited [[#|range]] of colours and originated in Russia in 1919 post [[#|World War]] 1 derived from Russian Futurism. An artistic movement that favoured using art as a means of conveying social and political ideas such as propaganda. Through utilizing its three main principles tectonics, texture and construction. It had a prime role in the influence of other trends such as Bauhaus and De Stiji. Vladimir Mayakovsky (1893-1930)“Join the strike team of exemplary labor” (Date unknown)http://commons.wikimedia.org/wiki/File:Plakat_mayakowski_gross.jpg De Stijl
Dutch for ‘The Style’ De Stijl developed in the early 1920’s due to various influences including Dada was primarily architectural. Theirs was a utopian philosophical approach to aesthetics based around functionalism with a severe and doctrinaire insistence on the rectilinearly of the planes that can slide across one another like sliding panels. Only the purist of pure primary hues of colour where used in addition with black and white. Gerrit Rietveld (1888-1979)Red and Blue Chair, 1917 http://www.terraingallery.org/Anthony-Romeo-Chair.html
Bauhaus
Also known as Staatliches Bauhaus, was a school in Germany established in 1919 shut down in 1933 by Hitler, strived to combined crafts and the fine arts. Began to show signs in 1880 and influenced from modernism and De Stijl Bauhaus only made a real name for its self, post-World War 1. Famous for its teaching methodology of form following function, emphasizing the most “Functional” way to design. Alexander Schawinsky (1904-1979) Typewriter “Olivetti Studio 42”, 1936http://en.wikipedia.org/wiki/File:Olivetti-schawinsky-bauhaus-typewriter.jpg Functionalism
Early 20th century Chicago based architect Louis Sullivan coined the phrase “form ever follows function” he meant by this that if the functional aspects are satisfied, architectural and structural beauty would naturally follow. 1930’s functionalism began an aesthetic approach rather than just a matter of design integrity, the idea of a lack of ornamentation, associated with brutal bald ways to cover space.
Frank Lloyd Wright (1885-1959)515 Auvergn Plance, River Forest IL USA, 1894http://en.wikipedia.org/wiki/File:William_H._Winslow_House_Front_Facade.jpg The New Typography
During the 1920’s and 30’s The New Typography movement brought graphics and information design to the forefront of the artistic avant-garde in Central Europe which quickly spread throughout the world. The movement rejected the previous notion of text being arranged in symmetrical columns that had strived for beauty, to above all instead to aim for utmost clarity. Jan Tschichold (1902-1974)Sabon typeface,1967http://en.wikipedia.org/wiki/File:Sabon2.png International Typographic Style
Emerging in the 1950’s and developing on Swiss style birthed International typographic style, whose fundamental characteristics were to have simple designs without decorative elements. The designs used grids and asymmetrical layouts primarily utilizing sans serif fonts and were concerned with exploring negative space. Emil Ruder (1914-1970)The good shape, 1958http://swisstype.wordpress.com/work/ New York School
This refers to the abstract expressionism that took hold within America New York post World War 2 in 1946 but not gaining main stream acceptance till the 1950’s. A birth of early modernism, with its emphasis on spontaneous, automatic or subconscious creation, surrealism was a major influencing movement. this ismore about the art movement than the design style.. Arshile Gorkey (1904-1948)The Liver is the Cock’s Comb, 1944http://en.wikipedia.org/wiki/File:Gorky-The-Liver.jpg Pop
Pop art emerged in the mid 1950’s and sort to challenge traditions of fine art by including imagery from popular cultures, often removing the material from its known context and combining it with unrelated material. Pop art was an extension and a repudiation of the forming Dadaism though pop art replaced the destructive and satirical elements of Dada by using material of mass culture
Andy Warhol (1928-20xx)Campbell’s Soup, 1968http://en.wikipedia.org/wiki/File:Warhol-Campbell_Soup-1-screenprint-1968.jpg Swiss School
Developed by Ernst Keller in the 1920’s who was a teacher at the School of Arts & Crafts in Zurich. This Typographic style developed out of Switzerland focuses on having a simplified layout with emphasis on text, negative space and objective imagery. It drew influence from Constructivist elements of geometric reduction, photo-montage and a simplified colour palette.
Post-modern
An avant-garde [[#|form of]] contemporary art that strives to blur the lines between popular cultures, art, media it’s thought to have begun in the late 20th Century. With no real strict adherence to rules about technique or form it births more playful or anarchic and resistance to interpretation especially in regards to previous art movements.
'm quite [[#|happy]] to be confused...but
Have a [[#|look]] at:
http://en.wikipedia.org/wiki/Cone_cell
…there are no separate receptors on our retinas sensitive to yellow light, so the receptors sensitive to green and red light combine giving us the sensation of yellow
Let's [[#|know what you]] think...[serge]
on to
t's like you don't need [[#|the last one]]...but we can [[#|talk]] about it in [[#|class]]...
emoving the [[#|black]] outline...
I'm enjoying seeing your [[#|work]]...can you post some of your [[#|work]] that you have done before this unit...what you think best represents your interest in design/art...?
Theater [[#|Graphic Design]] Essay
Victorian
The name is derived from the time-period which Queen [[#|Victoria]] reigned over England between June, 1837 and [[#|January]], 1901. Initially, the Victorian art period began with The Classicism period then produced what is thought to be due the England’s great conquests and prosperity at the time, brought about a boast of lively colours and emotional strokes replacing the realistic detail. Following Classicism was Neoclassicism, Impressionism and Post-Impressionism all reigned under the Victorian Art’s period.
Dante Gabriel Rossetti (1828-1882)
Mariana,1870
http://facstaff.uww.edu/carlberj/vicart.htm
[[#|Arts and Craft]] Movement
The [[#|arts and craft]] movement evolved during the final stages of the Victorian period [[#|within]] England, it was due to the previous mentioned prosperity of England who at the [[#|time was]] the most industrialized [[#|country]] in the [[#|world]]. Populist apprehension about industrial life ignited a cocksure revaluation of [[#|hand]] craftsmanship and pre-capitalist forms of culture and society through [[#|Arts and Crafts]]. [[#|Arts and Crafts]] designers sought to [[#|improve]] standards of decorative design, calling for an end to the division of labour and advance the [[#|designer]] as a craftsman.
Alphonse Mucha (1860-1939)
Depiction of Actress Maude Adams as Joan of Arc,1909
http://www.metmuseum.org/toah/works-of-art/20.33
Vienna Secession
The Vienna Secession, also known as The Union of Austrian Artists was formed in 1897 by a group of Austrian artists who resigned from the Association of Austrian Artists. There was no singular art style rather a collaboration of works from artists part of the Vienna Secession with their building being debatably the most iconic piece of the movement with its phrase “To every age its art. To art its freedom” The Vienna Secession wanted nothing more than to break the once strict confines of [[#|academic]] tradition arts.
Arsene Herbinier (1869-1955)
Salon des Cent, 1899
http://www.kettererkunst.com/details-e.php?obnr=112000383&anummer=22
Cubist
An early 20th century avant-garde art movement credited to be pioneered by Georges Braque and Pablo Picasso, revolutionized European [[#|painting]] and sculpture and is considered the most influential art movement of [[#|the 20th century]]. It was also the means of inspiration for other arts such as [[#|music]], literature and architecture. In Cubist artwork, objects are analyzed, broken up and reassembled in an abstracted form abandoning prospective.
Albert Gleizes (1881-1953) Man on Balcony, 1912 http://xroads.virginia.edu/~museum/armory/galleryi/gleizes.196.html
Futurist
Beginning in 1909, but not becoming distinctive till 1911 emerging as a product of Cubist was Futurist. The most important Italian avant-garde art movement of [[#|the 20th century]], Futurism sort to celebrate advanced [[#|technology]] and urban modernity. Futurists were fascinated by the problems of representing modern experience and strived to evoke all kinds of sensations not just visible but to bringing forth the pieces noise, heat and the smell of the city.
Natalian Goncharova (1881-1962)
The Cyclist, 1913
http://web.grinnell.edu/courses/tut/F01/TUT100-04/goncharova2.htm
Surrealist
Surrealism originated in the late 1910’s as a literary movement that experimented with a new mode of expression called automatic writing or automatism, which sought to release the unbridled imagination of the subconscious. The cerebral and irrational tenets of Surrealism find their ancestry in the clever and whimsical disregard for tradition fostered by Dadaism not a decade earlier.
Max Ernst (1891-1976)
The Elephant Celebes, 1921
http://www.fantasyarts.net/ernstele.html
Dadaist
Dada was not art but anti-art, predominantly a European artistic and literary movement from 1916 to 1923 born of the horrors of World War 1 that flouted conventional aesthetic and cultural values by producing works marked by nonsense, travesty, and incongruity. Artists concentrated their anti-war politics with the rejection of prevailing standards in art through anti-art cultural works. Additionally Dadaism was anti-bourgeois and had political affinities with the radical left wing political stances.
Marcel Duchamp (1887-1968)
The Fountain, 1917
http://en.wikipedia.org/wiki/Marcel_Duchamp
Poster Style [Plakastil]
An early style of [[#|poster]] art that began in the 1900’s and originated out of Germany, credited to be started by Berliner Lucian Bernhard. The trending traits of the style are bold, straight font with flat colour with simplified shades complementing the more detailed main poster subject material. Rejecting curvilinear ornamentations like that in Art Nouveau and instead geometric structure based on functionalism.
Hans Rudi Erdi (1883-1925)
Mahala Problem Cigarettes
http://pinterest.com/pin/229402174739580081/
Art Deco
Also referred to as ‘style modern’ this art movement originated in the 1920’s and developed into a major style in Western Europe and the United States during the 1930’s. The distinguishing features of the style are simple, clean shapes, often with a very “streamline” look valuing functionality. Although rarely masses produced the characteristics and features of the style reflect admiration for the modernity of the machines and for the inherent design quality of machine made objects such as relative simplicity, planarity, symmetry and unvaried repetition of elements.
Tamara de Lempicka (1898-1980)Musician,1929http://en.wikipedia.org/wiki/Tamara_de_Lempicka
Russian Supremacist and Constructivism
Constructivism focused on basic geometric forms that were painted in a limited [[#|range]] of colours and originated in Russia in 1919 post [[#|World War]] 1 derived from Russian Futurism. An artistic movement that favoured using art as a means of conveying social and political ideas such as propaganda. Through utilizing its three main principles tectonics, texture and construction. It had a prime role in the influence of other trends such as Bauhaus and De Stiji.
Vladimir Mayakovsky (1893-1930)“Join the strike team of exemplary labor” (Date unknown)http://commons.wikimedia.org/wiki/File:Plakat_mayakowski_gross.jpg
De Stijl
Dutch for ‘The Style’ De Stijl developed in the early 1920’s due to various influences including Dada was primarily architectural. Theirs was a utopian philosophical approach to aesthetics based around functionalism with a severe and doctrinaire insistence on the rectilinearly of the planes that can slide across one another like sliding panels. Only the purist of pure primary hues of colour where used in addition with black and white.
Gerrit Rietveld (1888-1979)Red and Blue Chair, 1917
http://www.terraingallery.org/Anthony-Romeo-Chair.html
Bauhaus
Also known as Staatliches Bauhaus, was a school in Germany established in 1919 shut down in 1933 by Hitler, strived to combined crafts and the fine arts. Began to show signs in 1880 and influenced from modernism and De Stijl Bauhaus only made a real name for its self, post-World War 1. Famous for its teaching methodology of form following function, emphasizing the most “Functional” way to design.
Alexander Schawinsky (1904-1979) Typewriter “Olivetti Studio 42”, 1936 http://en.wikipedia.org/wiki/File:Olivetti-schawinsky-bauhaus-typewriter.jpg
Functionalism
Early 20th century Chicago based architect Louis Sullivan coined the phrase “form ever follows function” he meant by this that if the functional aspects are satisfied, architectural and structural beauty would naturally follow. 1930’s functionalism began an aesthetic approach rather than just a matter of design integrity, the idea of a lack of ornamentation, associated with brutal bald ways to cover space.
Frank Lloyd Wright (1885-1959)515 Auvergn Plance, River Forest IL USA, 1894http://en.wikipedia.org/wiki/File:William_H._Winslow_House_Front_Facade.jpg
The New Typography
During the 1920’s and 30’s The New Typography movement brought graphics and information design to the forefront of the artistic avant-garde in Central Europe which quickly spread throughout the world. The movement rejected the previous notion of text being arranged in symmetrical columns that had strived for beauty, to above all instead to aim for utmost clarity.
Jan Tschichold (1902-1974)Sabon typeface,1967http://en.wikipedia.org/wiki/File:Sabon2.png
International Typographic Style
Emerging in the 1950’s and developing on Swiss style birthed International typographic style, whose fundamental characteristics were to have simple designs without decorative elements. The designs used grids and asymmetrical layouts primarily utilizing sans serif fonts and were concerned with exploring negative space.
Emil Ruder (1914-1970)The good shape, 1958http://swisstype.wordpress.com/work/
New York School
This refers to the abstract expressionism that took hold within America New York post World War 2 in 1946 but not gaining main stream acceptance till the 1950’s. A birth of early modernism, with its emphasis on spontaneous, automatic or subconscious creation, surrealism was a major influencing movement.
Arshile Gorkey (1904-1948)The Liver is the Cock’s Comb, 1944http://en.wikipedia.org/wiki/File:Gorky-The-Liver.jpg
Pop
Pop art emerged in the mid 1950’s and sort to challenge traditions of fine art by including imagery from popular cultures, often removing the material from its known context and combining it with unrelated material. Pop art was an extension and a repudiation of the forming Dadaism though pop art replaced the destructive and satirical elements of Dada by using material of mass culture
Andy Warhol (1928-20xx)Campbell’s Soup, 1968http://en.wikipedia.org/wiki/File:Warhol-Campbell_Soup-1-screenprint-1968.jpg
Swiss School
Developed by Ernst Keller in the 1920’s who was a teacher at the School of Arts & Crafts in Zurich. This Typographic style developed out of Switzerland focuses on having a simplified layout with emphasis on text, negative space and objective imagery. It drew influence from Constructivist elements of geometric reduction, photo-montage and a simplified colour palette.
Ernst Keller (1891-1968)
Architecture and Design, 1930
http://www.moma.org/collection/browse_results.php?criteria=O%3AAD%3AE%3A3041&page_number=5&template_id=1&sort_order=1
Post-modern
An avant-garde [[#|form of]] contemporary art that strives to blur the lines between popular cultures, art, media it’s thought to have begun in the late 20th Century. With no real strict adherence to rules about technique or form it births more playful or anarchic and resistance to interpretation especially in regards to previous art movements.
William Armstrong (1938-20xx)Statue of Liberty, 2009http://en.wikipedia.org/wiki/File:Statue_of_liberty_from_studio_54.jpg
Comprehensive work...well research. Apart from a couple of examples this is competent work. D
Very professional work...as always.
Band - PhycosomaticAlbum - CyberFem
VERY PROFESSIONAL...AS I SAID BEFORE...STILL NOT SURE ABOUT THE MELB RACE PIECE...BUT THE REST ARE EXCELLENT. WELL DONE - HD
EXHIBITION PIECES...D+